ARTHUR CORDIER                                                                                     ︎ ︎







Arthur Cordier’s practice reflects on the economic uses of public space, with a focus on the display structures and the consumerist logic of advertising. Working with sculpture, installation, video, photography, and performance, he explores the forms of decay inherent to promotional systems... 

CV
Texts
Instagram
The Balcony & Susan Bites



UPCOMING

Kunst_planten
Solo, Hgtomi Rosa. The Hague
Opening 27.03.21

TikTok vs Abramovic
Group exhibition, Projektraum145. Berlin
17.03.21 - 29.03.21

LABO#5. Exhibition in public space
Group exhibition, curated by LABO Leuven.
May - June 2021




ON VIEW

Days of our Lives
Group exhibition, Susan Bites. The Hague
26.02.21 - 14.03.21

(curation)
Fly-In-Fly-Out - Eva Pel
Art Au Centre #5. Group exhibition, Liège
04.02.21 - 30.04.21




RECENT

(curation)
A finger in every pie
Fine Art exhibition (4th year), Royal Academy of Art, The Hague
Opening 10.12.20

(curation)
ACDC - Dilum Coppens
Art Au Centre #4. Group exhibition, Liège
Until - 31.12.20

SWAB Contemporary Art Fair
With The Balcony & Susan Bites, (online)
01.10.20 - 15.10.20

Curating the Young
Permeke Public Library, Antwerpen 
08.07.20 - 03.08.20 

(curation)
‘Work, Comfort, Home’ - Michael Mönnich
Art Au Centre #3. Group exhibition, Liège
09.06.20 - 30.08.20

beauty / ?
Group exhibition, curated by Dilum Coppens and Sandra Meilunaite, K.L.8. Brussels - 17.07.20 - 24.07.20

The Town Mouse and the Country House
Group exhibition at The Balcony. The Hague
24.06.20 - 15.07.20

The Town Mouse and the Country House
Group exhibition, curated by The Balcony. Rochefort (BE)
20.04.20 - 20.05.20

(publication)
‘Liège. Come for the beer, stay for the scene’
Published on Jegens&Tevens

zerobudget.be
Online exhibition, curated by Mikail Koçak
19.04.20 - 25.04.20

Art Au Centre #2
Group exhibition, curated by Maxime Moinet. Liège
06.02.20 - 30.04.20

VOYAGE VOYAGE #2
L 'Annexe, screening. Paris
13.03.2020

Susan, bites, and videotapes II Susan Bites, screening. The Hague
23.02.2020

RAVI Liège. Residency & exhibition in collaboration with AAIR Antwerpen. Liège
01.09.19 - 31.12.2019

Contamination and maybe even more Fonderia 20.9. Group. Verona
15.07.19 - 29.09.2019

better as a chorus
Royal Academy of Art. Group. The Hague
05.07.19 - 11.07.19

Supermarket Independent Art Fair with Alternative Art Guide, Group. Stockholm
04.04.19 - 07.04.19

All Bark No Bite
Susan Bites, Group. The Hague
09.02.19 - 22.02.19

The Ongoing Conversation #5
1646. Experimental art space. The Hague.
08.06 - 17.06.18

D.D.- Domestica Dove 
Duo exhibition with Ioana Ciora, Vitrine01, Berlin

What Now / Now What
Sofia Underground, Group. Sofia Arsenal - Museum for Contemporary Art, Bulgaria

The Nudist on the Late Shift
Group. Curated by Barbara Seiler & Marcel van Eeden.
KABK Gallery, The Hague

Rise, Group.
Curated by Jonatan Habib Engqvist. Quartair Contemporary Art
Initiatives, The Hague

TO PLAY, Group. Sagacity, curated by Pathfinders Collective. Brussels

Klein Eiland, Group. La Cambre - Studio CityGate. Brussels

Turn Left on Supernova, Group. De Besturing. The Hague

Everything must go, Group. NEST Ruimte. Curated by Eelco van der Lingen. The Hague

Wall, collaborative work with Ioana Ciora and Jean Katambayi, Stroom Den Haag. The Hague

FRICHE, Residency & group exhibition. Brussels








PARIS MATCH GLOSSY
Antwerpen, BE






Group exhibition,
Permeke Public Library, Antwerpen (BE)
06.02.20 - 30.04.20

Exclusif,
Drawing on Chromolux, silver
Transparent varnish
70x100cm

Super Color,
Drawing on Chromolux, white
Transparent varnish
70x100cm









The work Paris Match Glossy (Supercolor, Exclusif) consists in reproductions of actual covers. Paris Match is a well-known weekly magazine often depicting news in a personnified and dramatized manner. The diptyc is a hand drawn reproduction of two covers originally displaying former King of Belgium Albert II and R.Polanski. Both are represented as the supposed ‘victims’ of their own scandals.
The covers are enlarged on glossy paper and visual representations are silenced.