Le printemps des poussières
heavy duty PVC, tape
150 x 200 cm
Summer Bruize
heavy duty PVC, ink and soft pastel
150 x 180 cm
Groter, Nieuwe, Prix réduit, Toute nouvelleIlluminated signs, aluminium, Plexiglas, LED
90 x 65 x 10 cm
The Car, The Garden, and The Rat
This Art Fair, Amsterdam
Long Days (Short Days)
B09K, Changsha. CN
It’s a rat rat’s world Cast bronze, oxidation, unique
7 x 14 cm
Diptyccoocorico from the pond, 2023
heavy duty PVC, ink and tape on aluminum stretchers
180 x 300 cm
Globalworth Warneckei Tower; Floreasca Dracaena Sky Tower; Financial Dieffenbachia Plaza;
Casa Dracaena Libere; Ana Erumpens Tower; Philodendron International; Euro Ficus
Posters, MC silk 250 g/m²
ball pen, unique drawings
59,4 x 84,1 cm
I worked in an advertising agency.
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
La Fête de Gondole
The Car, The Garden, and The Rat
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
La Fête de Gondole
The Car, The Garden, and The Rat
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente