Le printemps des poussières
heavy duty PVC, tape
150 x 200 cm
Summer Bruize
heavy duty PVC, ink and soft pastel
150 x 180 cm
Groter, Nieuwe, Prix réduit, Toute nouvelle
Illuminated signs, aluminium, Plexiglas, LED
90 x 65 x 10 cm
The Car, The Garden, and The Rat
This Art Fair, Amsterdam
Long Days (Short Days)
Dim. 390 x 240 cm
B09K, Changsha. CN
Le Chat et un vieux Rat, 1755-1759
Copper engraving, ink on paper
28 x 41 cm (frame)
exhibition view
M Leuven
It’s a rat rat’s world Cast bronze, oxidation, unique
7 x 14 cm
Globalworth Warneckei Tower; Floreasca Dracaena Sky Tower; Financial Dieffenbachia Plaza;
Casa Dracaena Libere; Ana Erumpens Tower; Philodendron International; Euro Ficus
Posters, MC silk 250 g/m²
ball pen, unique drawings
Dim. 59,4 x 84,1 cm
AC.2023.16. Diptyccoocorico from the pond, 2023
heavy duty PVC, ink and tape on aluminum stretchers
Dim. 300 cm x 180 cm
exhibition view
Laatste Ronde. TRIXIE. The Hague
Kantoor Blauw, 2023
heavy duty PVC, ink and tape on aluminum stretchers
Dim. 150 x 180 cm
exhibition view
Galerie Maurits van de Laar. The Hague
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
IKOB Museum of Contemporary Art. Eupen, BE
IKOB Museum of Contemporary Art. Eupen, BE
Untitled (landscape paintings),adhesive vinyl, heavy duty PVC, aluminum stretchers,
Dim. 150 × 200 cm each
Untitled (landscape paintings),
adhesive vinyl, heavy duty PVC, aluminum stretchers,
Dim. 150 × 200 cm each
Cofficeine and Photosynthesis, 2021 coffee machines, office chairs, paper cups, free coffee
Kunst_planten, 2021-22
Office plants borrowed from advertising agencies
I worked in an advertising agency.
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
La Fête de Gondole
The Car, The Garden, and The Rat
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
La Fête de Gondole
The Car, The Garden, and The Rat
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente