group
Musée de La Boverie. Liège BE
Le temps ne brûle pas, 2023
(Time does not burn)
Don’t worry [...], 2023
curated by Sophie Delhasse & Maxime Moinet, Art Au Centre.
(Time does not burn)
Don’t worry [...], 2023
curated by Sophie Delhasse & Maxime Moinet, Art Au Centre.
Adhesive vinyl, magnet, service notes, heavy duty tarpaulin, hat.
Musée de la Boverie, Liège BE
28.04 – 13.08.2023
BANQUEROUTE
Curated by Maxime Moinet and Sophie Delhasse (Art Au Centre)
With works by Arthur Cordier, Julie Gaubert, Julia Gault, Maria Vital Goral, Marjolein Guldentops, Emile Hermans, Joséphine Kaeppelin, Alicia Kremser, Charlie Malgat, Jean-Marie Massou, Harriet Rose Morley, Cathleen Owens, Yue Yuan.
Private Views, curated by Yves Randaxhe
With works by Pierre Alechinsky, Francis Alys, Charlotte Beaudry, Christian Boltanski, Daniel Buren, Jacques Charlier, Patrick Corillon, Michael Dans, Marlene Dumas, Michel François, Simon Hantaï, Shirley Jaffe, Bertrand Lavier, Barbara et Michael Leisgen, Sol LeWitt, Jacques Lizène, Bernd Lohaus, Messieurs Delmotte, Giorgio Morandi, Herman Nitsch, Giulio Paolini, Philippe Ramette, Niki de St Phalle, Charles-Henry Sommelette, Walter Swennen, Philippe Vandenberg and Léon Wuidar among others.
Link / Link
I worked in an advertising agency.
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente