List of texts, coming soon
Exhibition texts
Reviews
Catalogs
Interviews
Various
Press
2022
- L’Art même 87, En résistance à l'appel des capitales, avec Art Au Centre, Clémentine Davin
- Tubelight #120, Raamwerk, Emma Wiersma
- Art Au Centre, exhibition catalog. Edition of 2000
- Aachener Nachrichten; RTBF Majuscules [...]
2021
- Poster-Krant, Published by Greylight Projects, Heerlen. NL. Edition of 2500
- Jegens&Tevens. Kunst_planten op de intensive care, at Hgtomi Rosa. By Frits Dijk
- O Fluxo. Days of our Lives
2020
- MetropolisM. The Balcony & Susan Bites in The Hague – window-shopping redefined. By Lotte van Geijn
- HART-Magazine. The Town Mouse and the Country Mouse.
- Flux News Magazine, #82. Créer en quarantaine: Zero budget by Michel Voiturier.
- Flux News Magazine, #82. Liège expo d’Art Public, Art au Centre by Céline Eloy.
- Jegens&Tevens. Liege. Come for the beer, stay for the scene.
- AIR Antwerpen & RAVI Residency, Liège
- RAVI Residency, La Tonnelle Universelle.
2019
- better as a chorus. Exhibition catalog. Royal Academy of Art, The Hague, NL. Edition of 200
- The Opening Super. Master Artistic Research thesis, The Hague. NL.
- “Is Sunday a good day for Art?”, published by the Master Artistic Research. Royal Academy of Art, The Hague. Coordinated by Thijs Witty
- FREE COFFEE, published in Emergency INDEX: An Annual Document of Performance Practice, vol. 7. Published by Ugly Duckling Press. Brooklyn, US (print)
2018
Art Contest, Brussels. Exhibition catalog. Edition of a 1000.
2016
FRICHE, User Manual. Brussels. Exhibition catalog. Edition of 200.
I worked in an advertising agency.
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente
I hate advertising.
My experience led to a constant interest in the study of urban and commercial trickery – also known in French as roublardise. To reveal the economical construct of urban contexts, I use the effectiveness of commercial strategies against itself in a tautological and often parasitic manner. To a further extent, my practice tackles the aesthetics of bureaucracy, entrepreneurship, and efficiency through relational, situational, and contextually specific works, self-reflecting upon the economy of artistic practice in a production-driven society.
works
Long Days (Short Days)
It’s a rat rat’s world
Autoroutes Sauvages
Laatste Ronde
FREE COFFEE** NO SMARTPHONE FOR ETERNITY
Kunst_planten
Towards a new domesticity
SUMMER
Le temps ne brûle pas
Billboard advertising falls on top of two cars during strong wind weather
TikTok vs Abramovic
archive
Days of our Lives
La Tonnelle Universelle
The Opening Super
D.D.-DOMESTICA DOVE
FREE COFFEE*
Enseigne liquide, Goudron lumineux
Groter, Nieuwe, Prix réduit, Toute nouvelle
Markten
The cow, the riot and the kid
Auvent, évente